Sandro Botticelli
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c. 1445 – May 17, 1510. Italian painter.

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John Raphael Smith
Sarah Siddons as Zara in Congreve-s The Mourning Bridg

ID: 44578

John Raphael Smith Sarah Siddons as Zara in Congreve-s The Mourning Bridg
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John Raphael Smith Sarah Siddons as Zara in Congreve-s The Mourning Bridg


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John Raphael Smith

English Painter, 1752-1812,English printmaker, publisher and painter. The youngest son of the landscape artist Thomas Smith of Derby (d Bristol, 12 Sept 1767), he was apprenticed to a linen draper at the age of ten and around 1767 became a linen draper's assistant in London. He seems to have taught himself to paint miniatures and produced his first mezzotint in 1769, from Henry Benbridge's portrait of General Pascal Paoli (San Francisco, CA Pal. Legion of Honor). Smith married and opened a draper's shop in Exeter Exchange; about 1773 he began to engrave professionally and sold prints from the same shop.   Related Paintings of John Raphael Smith :. | View of Rio de Janeiro | Man with Delusions of Military Command | Ukrainian Girl Tending Geese | Rebecca Ann Pue | Tropical Scenery |
Related Artists:
CAPELLE, Jan van de
Dutch Baroque Era Painter, ca.1624-1679
Joos van Ghent
Netherlandish Northern Renaissance Painter, active ca.1460-1480
Jan Toorop
1858-1928 Dutch Jan Toorop Gallery He moved to the Netherlands in 1872 and took a course in drawing at the Polytechnische School in Delft (1876-9). He also studied at the Rijksakademie voor Beeldende Kunsten in Amsterdam (1880-82) and at the Ecole des Arts D?coratifs in Brussels (1882-5). In Amsterdam he joined the St Lukas Society, and in Belgium he was a founder-member of Les XX in 1884. Although he had met Jozef Isra?ls in 1880 and respected the style of the Hague school, he was more attracted by what he saw in Brussels, particularly work by French artists. His portraits of 1884 are painted in an Impressionist style. With other members of Les XX he trained himself in plein-air; he learnt from James Ensor how to apply colours with a palette knife and how to use white with the same intensity as other colours. His style, however, remained austere and his scenes of workmen show a sensitive realism reminiscent of Gustave Courbet's work, for example Respect for the Dead.






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